“My little sister is praying,” Mounia Betioui, Morocco, 1995.
“Here is my cousin, Miry, with the skulls and fruit for the Day of the Dead,” Juan Jesús Murillo, Mexico, 1991.
“My lame cousin-brother is dressed like saint Sadhu Hari,” Kalu Rupsingh, India, 1989-90.
“The chickens run behind my mother,” Carlos Andrés Villaneuva, Colombia, 1982-85.
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Twenty years before the term “socially engaged art” entered the lexicon, Wendy Ewald realized that, when she gave...
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